Sociologist Ruha Benjamin argues in her book, Race After Technology, that the use of technology has the capability to enforce discrimination while appearing neutral.

Listen to the full episode53:58

* Originally published on September 4, 2019.

We used to think of online and offline as two different worlds — we had to make an effort to “get online.” But the seam between real life and digital spaces is growing ever-thinner and what comes with that attenuation is the potential to deepen social inequity, according to sociologist Ruha Benjamin.

In her latest book, Race After Technology: Abolitionist Tools for the New Jim Code, Benjamin argues digital technologies recreate the same kind of racial hierarchies and segregation we witness in our daily lives. She points out that social hierarchies in the physical world have corresponding virtual ones.

Benjamin adds that it’s inevitable we would build into the technologies that run our phones, drive our cars or keep track of our friends, the same codes of good and bad that govern society.

We put so much investment in being saved by these objects we create, by these technologies. But our real resource is ourselves.– Ruha Benjamin

According to the Princeton University professor of African American Studies, tech is the latest iteration of past racist regimes — leading her to dub tech, “the New Jim Code,” a term that draws a line of continuity from America’s segregationist “Jim Crow” past” to the ubiquitous presence of tech today.

“Architecture is an interesting metaphor for algorithms and the construction of digital space. When we think about the way that our physical infrastructure reflects and reproduces all kinds of values and assumptions, we could also take that lens and apply it to the digital world,” Benjamin told IDEAS.

She suggests we need to ask who’s designing these technologies, what their starting assumptions are, and what kind of problems they think are worth fixing. The answers to these questions are reflections of the priorities and values of not only the creators but often of society itself.


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